Saturday, July 28, 2012

The Stuff of Legends Volume 1: The Dark




            The Stuff of Legends is a three volume metaseries produced by Th3rd World Studios, and written by Mike Raicht and Brian Smith, and illustrated by Charles Paul Wilson the 3rd.  It takes place in Brooklyn circa 1944, and centers around a group of toys that come to life to go on a journey into "The Dark," a reality inside the boy's closet where the infamous Boogey Man reigns supreme, in order to save the boy from the realm's dark master.  This isn’t Toy Story though, as it delves much deeper into the psychology of a toy come to life as it blasts your brain with rich imagery and creative story-telling.
            The illustrator for the book, Charles Paul Wilson attended the John Herron School of Fine Art, and graduated from the Joe Kubert School of Cartoon and Graphic Art where he received the Norman Mauer Scholarship in his first year attending, as well as an Eisner for his work with The Stuff of Legends. The book is done completely in pencil on toned paper, which creates a mainly black and white masterpiece of a quality I haven't seen anywhere before.  I'm not going to lie; the art in this book blew my mind out of my brain hole.
            The boy's closet or "The Dark Realm" provides an interesting twist to theme of Toy Story or Toy Soldiers, because here the toys become real.  Maxwell, the stuffed bear transforms into a gigantic ferocious grizzly bear feared by all the toys, and the Jester morphs from a jack-in-the-box to the Irish guy in Braveheart, an axe-wielding wise-cracking Wolverine type who hungers for battle as he says tough guy things that make all the girl toys swoon.
            Full of interesting character developments and portrayals that blend a strange realistic twist to how toys would view themselves and their lives, the Stuff of Legend separates itself from movies like Toy Story.  For instance, when the cowardly piggy-bank, Percy gets confronted by the Voldemort-esque Boogeyman, the evil dictator asks him "And saddest of all, what will become of the trusted soul that has protected his (the boy who owns Percy) coins?  For your loyalty in securing his future what does he do?" To which Percy meekly responds, "He breaks me."  Deep right? It makes sense that a piggy-bank would have negative feelings about holding on to his kid's money up until the day he breaks him for it, but I never would have thought it, and Pixar sure didn't when they made Toy Story.
            The Stuff of Legends is full of interesting character dynamics as it tries to add real-life resentments and relations to these toys as they take on a life of their own.  The boy's dog, Scout, has joined them on this journey, and in the real world he's gigantic compared to the toys but is rendered to a be only a small dog in "The Dark Lands" where he is mistreated and forced to wait outside of buildings as he's the brunt of the toy's resentment towards his kind.  You see, in the real world dogs destroy toys, and they all hate them for it, regarding them as filthy animals in "The Dark."
            Interesting short flashbacks of the boys playing with the toys, and the toys using these experiences as character building memories adds familiar character arches in un-familiar ways.  It's an odd dynamic, but the toys all regard the Coronel as being the courageous one, because the boy always used him to play the hero against the Nazi's, while Percy lived in vivid fear because of the boys always discussing how they were going to break him once there was enough money inside to buy something they wanted.
            The "Dark Lands" are full of interesting, well thought out attractions, like the town of Hopscotch, where the entire city is constructed around a board game, in which all the citizens have to roll dice in order to be able to move around.

Friday, April 13, 2012

April 18th: The Manhattan Projects #2

The Manhattan Projects #2

Written by Jonathan Hickman and drawn by Nick Pitarra. The first issue had Oppenheimer with a Gatling-Gun destroying Japanese Kamikaze Robots intent on destroying the Manhattan Project's underground secret hideout. Albert Einstein is locked away in a safe room, as he contemplates a secret totem, surrounded by alien weapons. The second issue has Werner Von Braun, the infamous rocket scientist of the Deutschland with a robotic arm fighting the Manhattan Project's scientists in an unknown battle during WW2. Do I really have to say anything else about this series?

April 18th: Batman #8

Batman #8

Written by Scott Snyder (American Vampire) and drawn by Greg Capullo (Spawn). These two crazy guys continue their run on Batman, the only DC new 52 I care anything at all about. This comic is straight up awesome. The writing is suspenseful and full of mythology-enriching plot points, and the artwork is conceptual and revolutionary, taking the best of the best styles from the 90's and making them work. It's all about the court of owls, who are a zombie-assassins hired created by a cult of rich owl-dudes who have ruled over Gotham's elite businessmen for a hundred years. And guess what? They've decided that Batman's gotta go, and even more so, the Waynes. Get this comic. Don't argue it anymore.

April 18th: Avengers Vs X-Men #2


AVENGERS VS. X-MEN #2
Ok, so I know what you're all thinking: Marvel and DC sucks, it never changes, the phoenix again? Well, sue me, because I'm into the Avengers vs X-Men series. You can write it on a sign, put it around my neck and walk me through the APE-Expo like Bruce Willis in Die Hard to be beaten and stoned by hordes of angry hippsters. The phoenix is overdone, and so is fights between super-teams, but this series has three main reasons to read it- 1) The artwork. This series has the best artists working in the buisness drawing up the art. John Romita Jr had issue 1, and issue two is done up by Frank Cho. 2) Cyclops. When I was growing up, Cyclops was the bad-ass of the X-Men, often having to fight them one-on-six and often times saving the day and getting the woman. Then came Jim Lee and Chris Claremont, and Cyclops became the biggest dick-head that marvel universe has ever seen. A brown-nosing suck-up who's woman was being sexually harassed by every guy on the team, Scott Summers became as lame as the yellow underwear he wore, and as boring as one of his lectures. That same character followed over to the cartoon, and then came the movies, where they added "crybaby" and "useless" to the list of Cyclop's personality traits. Over the last couple of years Scott Summers has become a hardcore militant leader for the remaining mutants, and this series has him protecting the return of the phoenix against the world. Even Magneto follows his lead, along with Namor, and many others. He's a bad-ass again, and you should check it out before they kill him off. 3) Marvel AR. Google it.